An Open Letter to the Eastern Ski Writers Association (ESWA)

And now for something a little different from my typical blog entries…

Dear ESWA,

It’s time for some tough love.

I’ve been a member for a dozen years, and it’s discouraging to see the identity crisis ESWA is currently going through. It seems like ESWA is in a rush to irrelevancy. As someone who cannot attend physical meetings (which have always been inconvenient for mid-Atlantic and southern writers, or those who do not write full-time), despite diligently paying my annual dues and fulfilling credentialing requirements year after year, I’m ineligible to vote in the upcoming election. That reduces my ability to influence the future direction of the organization, when the organization is at a critical crossroads.

I acknowledge that many people put a lot of hard work into ESWA and that everyone has good intentions. The nature of snowsports reporting (and journalism in general) has changed dramatically in the past few years, and one can’t expect an organization like ESWA — rich with history and tradition — to change overnight. I could quietly cancel my membership, as so many have done before me, but I would like to see ESWA succeed. So before I go, I humbly submit five suggestions for saving ESWA.

Five Ways to Save ESWA:

(1) Abolish ESWA. That’s right: it may be time to let it go. Let’s focus our efforts on one organization: the North American Snowsports Journalists Association (NASJA). The dwindling membership and stature of ESWA demonstrates that the organization isn’t fulfilling a need. Why should there be regional organizations? Skiers and snowboarders don’t limit themselves to one region, and these days, journalists don’t limit their reporting to one region either. Most readers consume content over the web, and they don’t care where the bits originate from. If there is a good story on Vail, readers will find it, regardless of venue.

(2) Stop treating electronic writers like second-class citizens. Consider, for example, the current guidelines for press membership. A newspaper writer must submit seven stories per calendar year, or three articles reaching a circulation of 1 million. That’s it.

Requirements are much more stringent for Internet-based journalists. They must provide proof of income, proof of a minimum audience, and complete a minimum number of updates that is strangely left undefined.

This disparity is offensive.

Today, electronic publications are the most effective and timely at reaching their audience. A newspaper may have a circulation of 1 million readers, but what percentage of the readers are actually snowsports enthusiasts? (And of those, what percentage actually read the story?) A majority of visitors to snowsports-related electronic sites are snowsports enthusiasts. They’ve gone out of their way to consume content from a source they value and trust.

(And yes, most newspapers are on-line, but on-line, the concept of “circulation” doesn’t make sense. Actual page views and unique readers — which are measurable — does. So perhaps it’s time to do away with the differentiation between media types and group them all together. They’re all blending together in the real world anyway.)

Some of the best and most effective writers also write because they enjoy sharing their love of the sport, not because they are paid for it. A blogger can be more effective at reaching an audience than dead tree media, just as a contributor to TripAdvisor can directly influence far more potential hotel guests than a printed and outdated AAA directory. Yet over the years I’ve seen ESWA barely contain its disdain for contributors such as “bloggers.” We need to be welcoming people like this into the fold, not throwing barriers in their way and then wondering why younger people don’t apply for membership. In the past, a million readers may have relied on 5 publications for content. That balance is shifting. There are more resources available, and each one might be targeted to a narrower audience. This is a reason to celebrate, not cower in fear. It’s never been easier for readers to find quality information relevant to their interests. I find that exciting, not threatening.

(3) Stop trying to please your corporate masters. Recently, ESWA was shocked — shocked! — to learn that some of its corporate members questioned the legitimacy of the organization. ESWA now is tripping over itself to let these corporate members define what the organization should or shouldn’t be. As a non-corporate member, I find that embarrassing.

You’re surveying the wrong people.

Instead, you need to ask non-members why they haven’t joined ESWA. ESWA membership is confined to a small and unbalanced percentage of journalists. (Only 5% of members are from areas south of New Jersey.) Why is that? Ditto for ski areas and corporate membership. For example, my publication focuses on the mid-Atlantic region — extensively covering 34 major ski resorts. Of those 34, only 2 — less than 6% — are corporate members of ESWA. Yet these 34 ski areas receive millions of skier visits per year, and reach the largest density of skiers in the country. Few of my colleagues in the lower mid-Atlantic belong to ESWA. (I don’t even need one hand to count them all.) Over the years, I’ve encouraged more to join, but when pressed for a reason, I’ve had more and more difficulty finding a compelling answer. We’ve always felt shut out.

As journalists, we shouldn’t answer to corporate sponsors. We answer to our readers, viewers, and listeners. It seems like ESWA is having a crisis of identity right now because fewer and fewer resorts are offering to subsidize meetings for them. As a result, ESWA is frantically trying to please the diminishing pool of resorts in order to retain these heavily subsidized trips. Who cares? If in-person meetings are required, there are other venues available. We don’t need to meet at a swank resort. A conference room at a Holiday Inn would do just fine. A carefully choreographed visit for dozens of press members isn’t going to provide an objective review of a resort anyway — that’s not the same experience our readers would receive.

We can have a symbiotic relationship with the resorts and companies we cover, but we must remain independent and at arms-length. Allowing corporate members to define what constitutes a “legitimate” ESWA member is obscene. Don’t harbor any illusions that corporations are fundamentally concerned with improving snow reporting; they’re tripping over themselves to skirt around us and reach their customers directly through Twitter, Facebook, etc. Freebies always have strings attached. We’re not doing our jobs if we’re not angering corporate members from time to time.

Shrinking the membership won’t solve this problem. If ESWA fortifies and expands its membership to capture more and more people who are effective at delivering snowsports-related content, corporations will take notice.

(4) Consider what role ESWA can and should play. Although I’ve been a member of ESWA for a dozen years, I’ve largely had an outside vantage point. As a writer based out of DC, ESWA and NASJA meetings have never been convenient for me to attend. Perhaps I’m wrong, but I can’t recall a meeting ever being held south of New York or upper New Jersey. “But that would limit attendance,” you might say. Let the irony savor a bit; there’s a lesson there.

Examine the ESWA membership directory. ESWA currently has 107 members; of those, the only ones you’ll find south of New Jersey include three members from Pennsylvania, one from Virginia, one from Maryland (that’s me!), and one from Florida. And ESWA wonders why it is having trouble expanding membership? There are a whole lot of snowsports writers south of New Jersey, and I haven’t see any serious attempts to welcome them into the organization.

I’ve closely read all of the newsletters, but by and large, my membership in ESWA has offered few tangible benefits, since I’m unable to physically attend meetings. Worse, it appears that members who cannot physically attend meetings completely lose their influence to shape the direction of the organization; they are ineligible to vote, even by absentee ballot. This shuts out a great deal of potential contributors south of New England, and further gives ESWA an aura of “elitism.”

ESWA and NASJA should serve to unify *all* of those who play a role in snowsports reporting, regardless of the venue. If someone serves an audience, they should be able to rely on ESWA and NASJA for support and resources to help them continually improve their reporting. Our goal should be to raise the standard of snowsports reporting across all current and evolving mediums. The value of ESWA and NASJA is in the collective experience and knowledge of its members — not in its annual meetings, subsidized trips, or anything else. The objective should be to maintain and grow that collective knowledge, and make it readily accessible to the membership, so the sum is greater than the parts. An organization like ESWA could be used to pair mentors with mentees, to provide resources to journalism students, and so much more.

Physical meetings are fine; good networking and instruction can happen there. But figure out how to produce the benefits of networking year-round, and how to make members who can’t attend physical meetings feel welcome. Create a truly interactive on-line presence where members can freely discuss issues, raise questions, ask for advice and ideas.. Automatically digest content produced by members into a single feed (the technology is readily available to do this), so one can go to a web page and instantly see the latest contributions from all members without anyone having to do work. Member contributions can serve to inspire and teach. A unified feed of member-produced content would also be of great value to readers around the world. Reduce, or do away with membership fees. There is no reason to print membership directories or newsletters; those can be on-line and members can print them on their own if they wish. Make the laminated membership cards optional (and charge for them). In 12 years, I’ve never used mine. There are costs to maintaining an on-line presence, but these can be minimal if you set up the structure correctly and rely on crowd sourcing.

(5) And here’s something that might cause some discomfort: Require members to disclose when they have received “freebies” from resorts in their reporting. It is not uncommon for snowsports writers to receive courtesies from the resorts they cover, such as complimentary lift tickets or discounted lodging. If you want to improve the legitimacy and objectivity of members, then require members to disclose these courtesies in their reporting. Make that a requirement for maintaining membership in your organization. Don’t readers have a right to know this information? A simple, standardized disclaimer at the bottom of each story would be sufficient.

So that’s it: five ideas that I believe could improve, or save, ESWA. I hope they at least encourage some discussion and soul-searching. All of us want to see the organization succeed. But as I look in my inbox and see a note reminding me that my ESWA credentials are due, I’m left wondering: “what’s the point?” Given its current path, I can’t say ESWA is an organization I’m proud to belong to, and as a new media journalist south of New Jersey, I sure feel like an outsider.

Shots of the Day: For the Birds, Part Two

Birds don’t let a blizzard get in the way of a good meal.

Shots of the Day: For the Birds

I added birdseed to the feeder three days ago, but the birds only discovered it today. (Or perhaps they thought it was a trick until now.) While eating a bowl of cereal and looking out the window, I saw the first few birds swing by. I grabbed my camera and started shooting.

In all, I shot 777 photos (just under 6 gigabytes worth) using the Nikon D3S. I set the camera to continuous mode, shooting up to 9 frames per second as birds landed and took off. (At that rate, back in film days, an entire roll of film would be used up in less than 3 seconds!)

The D3S has phenomenal low-light performance (as you can see from the recent nighttime photos I published), but the low-light performance can be put to good use during a bright day, too. In most of the following shots, I pushed the ISO to 2,000, which enabled me to shoot with a fast shutter speed of 1/6400 of a second. This let me “freeze” the birds in flight. Most of the following shots are zoomed in, too. Despite cropping and using a high ISO, there is very little noise. (Most of the noise can be attributed to cropping in so tight.)

After the Storm

Shots of the Night: Into the Blizzard

After shoveling the driveway — five times — I grabbed my camera and headed into the roaring blizzard at 1:30 a.m. The wind is fierce, and the snow is coming down at a rate of several inches per hour.

All of the following shots were taken handheld at 20,000 ISO. Keeping the camera and lens dry in these conditions is a real challenge.

Shooting in the Dark

I just wandered into the darkness of a heavy snowstorm (what may be one of the biggest snowstorms on record for Maryland), with the new Nikon D3S camera in hand.

The following shot was taken handheld with a non-VR lens, shot in near-darkness at 6:03 pm EST. There was heavy, wet snow. I couldn’t see the geese with my own eyes (although I could hear them honking), and had to guesstimate the focus. The aperture was f/2.8 with a 1/10 second exposure. The ISO was set to 25,600. (The D3S can be pushed above 100,000 ISO.)

The low-light performance of the Nikon D3S is truly groundbreaking. You simply couldn’t have captured this shot in these conditions even a couple years ago. There is slight grain in the picture, but it’s completely serviceable. Looking at this, it’s hard to believe it was shot in the dark. The D3S sees light my eyes can’t see.

Shots of the (10-degrees Fahrenheit) Night

Wanting to put my new Nikon D3S through the paces, I bundled up and headed into the cold night. These shots were taken between 9:30-10:30 p.m., with a near-full moon bouncing off freshly fallen snow.

In the following photo the light source is the moon. I set the camera to 25,600 ISO, focused on the moon, and then “painted” during an eight second exposure.

It almost looks like the sun peeking through the trees. But that’s the moon, in a 20-second exposure, f/5.6, ISO 500, 24mm.

Shots of the Day: A Cold Winter Hike

Not sure the forecasters called this one correctly; a dusting of snow turned into a dump. I went out hiking in the trails behind my house this morning, with my new Nikon D3S camera in hand. It was snowing pretty heavily as I shot the following photos; the temperature was about 14 degrees Fahrenheit.

One of the key features of the Nikon D3S is its low-light performance; it’s able to shoot at a mind-blowing 102,400 ISO, and noise doesn’t really creep in until you go beyond 12,800 ISO. (As a reference, back in the film days, an 800-ISO film was considered high-speed and pretty grainy.) You don’t need to wait until dusk or nightfall to take advantage of this low-light performance, however. In the following photo, I cranked the ISO up to 8,000 and set the shutter speed to 1/8000th of a second, freezing snowfall in flight.

Shot of the Night: Lights, Camera, Zoom

Fooling around with light. Shot with the new Nikon D3S.

Shots of the Night: Whitetail Ski Resort

On the afternoon of January 21, 2010, I tossed my skis in the car and headed for the slopes of Whitetail. After the sun set, I pulled out my camera and took the following shots. As dusk fades away, Mid-Atlantic ski resorts take on a level of quiet beauty.

All of these shots were taken with a 50mm prime lens, natural light, and were handheld (except shot #2, which was taken with the camera resting on the cold ground.)

It’s snowing. Heavily. I grabbed the camera and hiked around the lake behind my house. These were shot the morning of December 19, 2009.

Final Shots from the Summit

Some final shots I took from the Photography at the Summit workshop in Jackson Hole, Wyoming in late September and early October, 2009.

This is the view outside the National Museum of Wildlife Art, which serves as the headquarters for the workshop. I’d wager that few museums have as nice of a view.

I believe this is Jackson Lake, in the northern corner of Great Teton National Park. You can see the smoke from a wildfire on the left side of the photo. The smell was intense — like sticking your head right near a strong campfire. At times my eyes were really burning.

Some masters of photography sitting in the back row, critiquing our photos during one of the daily critique sessions. From left: Jodie Cobb, Dave Black, Bill Allard, Bill Eppridge, MaryAnne Golon, Tom Mangelsen, John Moore, and Bill Allen. It’s not often that so many photography greats are assembled in one spot. Their critiques were harsh but right on the money.

Jodi Cobb, right, shares a shot with Bill Eppridge. Jodi is a staff photographer from National Geographic, and Bill Eppridge is a photojournalistic living legend. Bill Allard is in the center, just out of view; he’s another famous National Geographic photographer.

On the final day, instructors fielded some final questions from the audience. From left: Bill Allen, who spent ten years as Editor-in-Chief of National Geographic (retiring in 2005); Jodi Cobb, National Geographic staff photographer; famed wildlife photographer Tom Mangelsen (he took this famous shot, among many others); and MaryAnne Golon, who was formerly Director of Photography for Time magazine.

I knew I should have locked my car’s doors.

Heading home after the workshop, taking a detour to swing by my family’s cabin deep in the mountains of Wyoming.

Another Round of Shots from the Summit

Some more photos I shot this past fall in Teton National Park, Wyoming.

Photo notes, from top: 1: f/2.8, 4 seconds, ISO 200, 105mm. Shot September 28, 2009 at 6:44 a.m.; 2: f/13, 1/640 seconds, ISO 400, 105mm. Shot October 1, 2009 at 12:08 p.m.; 3: f/10, 1/400 seconds, ISO 400, 105mm. Shot October 1, 2009 at 12:18 p.m.; 4: f/8, 1/250 seconds, ISO 400, 105mm. Shot October 1, 2009 at 12:21 p.m.; 5: f/9, 1/320 seconds, ISO 400, 105mm. Shot October 1, 2009 at 12:38 p.m.; 6: f/13, 1/640 seconds, ISO 400, 50mm. Shot October 1, 2009 at 12:46 p.m.; 7: f/13, 1/640 seconds, ISO 400, 105mm. Shot October 1, 2009 at 12:55 p.m.

Yup, there’s More Summit Shots of the Day

Hopefully you’re not sick of photos from my recent trip to northwest Wyoming. Because there’s more.

Even More Summit Shots of the Day

I’m continuing to review hundreds of photos I shot in late September and early October, 2009. The following photos were taken in and around Jackson, Wyoming.

Summit Shots of the Day, Continued

As promised, I am posting additional photos I took in early October during the Photography at the Summit in and around Jackson, Wyoming.

Shots of the Day: Rocky Mountain National Park

Some more photos I took in Colorado on September 25, 2009.

Behind the Shot: Postcards Flying through the Air

Remember this shot?

I promised there was no Photoshop trickery going on, and no strings attached; this is what the camera saw, without cropping. Yet, a lot of people think there is something fake about the shot.

Nope; it just took some creativity and a whole lot of patience.

I visited the location over the span of two days, and took hundreds of shots. And now, I pull back the curtain and reveal how the shot was made…

←Older